/ ABOUT
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E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa!
E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa!
E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa!
E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa!
E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa!
Arts Makers / Kāhui Ringatoi Aotearoa (AMA) believes in the power of arts, culture and creativity to enrich the lives of all New Zealanders. AMA aims to raise the standard of support for visual artists and the arts sector as a whole. It is time for art makers to shape the policies that directly affect our arts communities, work and wellbeing.
Since 2020, AMA has become an established advocacy network tuned into the discussions taking place amongst our extended whānau, friends and peers. We hear the widespread frustration that our creative community feels and use this knowledge to inform the trajectory of our work directly.
The current state of affairs is impacted by the threat to arts funding and the bias in society in undervaluing art and artists. AMA has contributed to the campaign for Resale Royalties in the secondary market and has created the first set of guidelines on Artist Fees in Aotearoa, New Zealand.
Arts Makers Aotearoa has identified the need for a diverse collective of makers to self-organise and create initiatives that can sustain the members of our creative community. We believe that working together is the surest path to meaningful change and radical imaginaries.
Areas of Discourse
Nau mai ngā ora, Nau mai ngā pai, Nau mai kia nui kia hāwere ai.
01 / care
manaaki
How can we ensure equitable inclusion and representation of art makers that reflects the diversity* of Aotearoa?
manaaki
How can we ensure equitable inclusion and representation of art makers that reflects the diversity* of Aotearoa?
02 / nurture
āwhina
How are arts organisations, the education sector, local councils and central government engaging with and listening to the concerns of arts makers?
āwhina
How are arts organisations, the education sector, local councils and central government engaging with and listening to the concerns of arts makers?
03 / support
tautoko
How can we support and sustain skill sharing and development within our arts communities?
tautoko
How can we support and sustain skill sharing and development within our arts communities?
04 / sustainability
toitūtanga
What does health and sustainability look like for you as an arts maker and us as an arts community?
toitūtanga
What does health and sustainability look like for you as an arts maker and us as an arts community?
05 / education
ako
How are the arts and arts makers valued within our education systems?
* In regards to cultural identity, ethnicity, ancestry, religion, age, ability status, social class, sex, sexual orientation, gender identity or expression, mental health status, and / or any other characteristic.
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Who is behind the screens ︎︎
︎︎ of Arts Makers Aotearoa?
Zoe Black
Zoe, Ngāpuhi, Ngāti Hine, Pākehā, is the deputy director of Objectspace in Tāmaki Makaurau. Her curatorial practice has focussed on community development and advocating for critically underrepresented craft and object art forms. She is currently Norwegian Crafts’ Curator in Residence, working on projects that create a dialogue between Indigenous making practices in Aotearoa and Sápmi.
Zoe, Ngāpuhi, Ngāti Hine, Pākehā, is the deputy director of Objectspace in Tāmaki Makaurau. Her curatorial practice has focussed on community development and advocating for critically underrepresented craft and object art forms. She is currently Norwegian Crafts’ Curator in Residence, working on projects that create a dialogue between Indigenous making practices in Aotearoa and Sápmi.
Judith Darragh ONZM
Judith, exhibits throughout Aotearoa and is renowned for her sculptural assemblages, collage, photography, video, and poster art — with many works held in public collections. Alongside co-editing Femisphere, a zine / publication supporting women’s art practice Judith was central to the development of Artspace Aotearoa, as well as artist-run spaces Teststrip, and Cuckoo. Judith has also been an educator, and mentored many artists over the past 30 years.
Judith, exhibits throughout Aotearoa and is renowned for her sculptural assemblages, collage, photography, video, and poster art — with many works held in public collections. Alongside co-editing Femisphere, a zine / publication supporting women’s art practice Judith was central to the development of Artspace Aotearoa, as well as artist-run spaces Teststrip, and Cuckoo. Judith has also been an educator, and mentored many artists over the past 30 years.
Dr Mark Harvey
Mark, Ngāti Toa, Ngāto Raukawa, Clan Keith, is a senior lecturer at the University of Auckland as well as a performance artist and live artist working with choreography. Marks practices are conceptually driven and often dialogue and test out notions of minimal endurance with constructions of idiocy, seriousness and deadpan humour, drawing from his visual arts and contemporary dance influences.
Mark, Ngāti Toa, Ngāto Raukawa, Clan Keith, is a senior lecturer at the University of Auckland as well as a performance artist and live artist working with choreography. Marks practices are conceptually driven and often dialogue and test out notions of minimal endurance with constructions of idiocy, seriousness and deadpan humour, drawing from his visual arts and contemporary dance influences.
Roxanne Hawthorne
Roxanne, is a graphic designer, art director, and social advocate of Irish, Rotuman and German descent. Originally trained in advertising, her design studio Lovely tends to focus on socially-minded brands, alongside designing graphics / props for film. Rox also dedicates time to pro-bono work within the environmental, political, animal rights and arts sectors.
Roxanne, is a graphic designer, art director, and social advocate of Irish, Rotuman and German descent. Originally trained in advertising, her design studio Lovely tends to focus on socially-minded brands, alongside designing graphics / props for film. Rox also dedicates time to pro-bono work within the environmental, political, animal rights and arts sectors.
Claudia Jowitt
Claudia is an artist, educator, administrator and creative advocate of Pākehā and iTaukei (Fijian) heritage. She has a MFA from Elam, a BArtDes (Hons) and BVA from AUT. She been exhibiting both nationally and internationally since first completing her undergraduate degree in 2009. Jowitt has a breadth of experience working in the arts sector and is passionate about both supporting representation of Pacific peoples in the arts and creating professional development resourcing for artists.
Claudia is an artist, educator, administrator and creative advocate of Pākehā and iTaukei (Fijian) heritage. She has a MFA from Elam, a BArtDes (Hons) and BVA from AUT. She been exhibiting both nationally and internationally since first completing her undergraduate degree in 2009. Jowitt has a breadth of experience working in the arts sector and is passionate about both supporting representation of Pacific peoples in the arts and creating professional development resourcing for artists.
Siân Quennell Torrington
Siân, (she/her, Pākehā) explores alternative structures through materials. Holding space and sharing creative processes is part of her practice, enabling conversation, connection, and collective imagination. Siân has regularly exhibited nationally and internationally, been commissioned to make works for public art institutions, and has been awarded two international artist residencies. Torrington graduated with an MFA with distinction from Massey University in 2010.
Siân, (she/her, Pākehā) explores alternative structures through materials. Holding space and sharing creative processes is part of her practice, enabling conversation, connection, and collective imagination. Siân has regularly exhibited nationally and internationally, been commissioned to make works for public art institutions, and has been awarded two international artist residencies. Torrington graduated with an MFA with distinction from Massey University in 2010.
Victoria Walsh
Victoria, originally from Nova Scotia, is a dedicated advocate for the creative sector in Aotearoa. She focuses on mobilising and empowering creative communitites, with a strong commitment to te ao Māori and mana motuhake for Indigenious practitioners. In 2003, Vic played a pivotal role in the Stop the Cuts campaign, opposing the Auckland Council’s proposed $36.5M cuts to arts funding. Her work centres on supporting creatives and advoating for systems that uplift cultural sovereignty and artistic sustainability.
Victoria, originally from Nova Scotia, is a dedicated advocate for the creative sector in Aotearoa. She focuses on mobilising and empowering creative communitites, with a strong commitment to te ao Māori and mana motuhake for Indigenious practitioners. In 2003, Vic played a pivotal role in the Stop the Cuts campaign, opposing the Auckland Council’s proposed $36.5M cuts to arts funding. Her work centres on supporting creatives and advoating for systems that uplift cultural sovereignty and artistic sustainability.