https://artsmakersaotearoa.nz artsmakersaotearoa Thu, 06 Mar 2025 02:33:21 +0000 https://artsmakersaotearoa.nz en https://artsmakersaotearoa.nz/Main-page Thu, 10 Feb 2022 07:54:14 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Main-page ART MAKERS TOOLKIT Nau mai, haere mai, piki mai. This website is a collaborative project that incorporates support + resources for the multi-faceted artistic community of Aotearoa. [ click on images ] ︎︎︎︎︎︎︎︎︎ <img width="1632" height="2060" width_o="1632" height_o="2060" data-src="https://freight.cargo.site/t/original/i/4bf9dfde09ef80b7307c1de56b97297dee6ce3e8c73caaa2ff7b6f7fe38bf2ef/6-MA_I078662_TePapa_Taiaroa-Heads-New-Zealand_full_V2.png" data-mid="214720981" border="0" alt="/ ABOUT" data-caption="&lt;span&gt;/ ABOUT&lt;/span&gt;" src="https://freight.cargo.site/w/1000/i/4bf9dfde09ef80b7307c1de56b97297dee6ce3e8c73caaa2ff7b6f7fe38bf2ef/6-MA_I078662_TePapa_Taiaroa-Heads-New-Zealand_full_V2.png" /> <img width="2530" height="2530" width_o="2530" height_o="2530" data-src="https://freight.cargo.site/t/original/i/f09ff57cb7157d70fee47b0267661bdb8ddc3bc29b8a566c1cce79cd62020a91/2-image-from-rawpixel-id-5918397-original.jpg" data-mid="133057891" border="0" alt="/ BEST PRACTICE" data-caption="&lt;span&gt;/ BEST PRACTICE&lt;/span&gt;" src="https://freight.cargo.site/w/1000/i/f09ff57cb7157d70fee47b0267661bdb8ddc3bc29b8a566c1cce79cd62020a91/2-image-from-rawpixel-id-5918397-original.jpg" /> <img width="1800" height="3401" width_o="1800" height_o="3401" data-src="https://freight.cargo.site/t/original/i/3cde9dfaeec3ffe7e88924d25830998dfbf4c34ea900dfba97308a23e893b943/Artist-Fees.gif" data-mid="175526433" border="0" alt="/ ARTISTS&rsquo; FEES" data-caption="&lt;span&gt;/ ARTISTS’ FEES&lt;/span&gt;" src="https://freight.cargo.site/w/1000/i/3cde9dfaeec3ffe7e88924d25830998dfbf4c34ea900dfba97308a23e893b943/Artist-Fees.gif" /> <img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/d90f713522976649a54f16133d76c855a91f01dcd1067e0405d8be6c6de26c33/5-image-from-rawpixel-id-561142.jpg" data-mid="133265157" border="0" data-marker-id="3" alt="/ RESOURCE" data-caption="&lt;span&gt;/ RESOURCE&lt;/span&gt;" src="https://freight.cargo.site/w/1000/i/d90f713522976649a54f16133d76c855a91f01dcd1067e0405d8be6c6de26c33/5-image-from-rawpixel-id-561142.jpg" /> <img width="874" height="1240" width_o="874" height_o="1240" data-src="https://freight.cargo.site/t/original/i/eb7071a0ba744b64bde945e4c97fe3dbbd6bf686f9be3f992d45854ef5c7072a/Hand.jpg" data-mid="214726508" border="0" alt="/ HAND BOOK" data-caption="&lt;span&gt;/ HAND BOOK&lt;/span&gt;" src="https://freight.cargo.site/w/874/i/eb7071a0ba744b64bde945e4c97fe3dbbd6bf686f9be3f992d45854ef5c7072a/Hand.jpg" /> <img width="1029" height="1029" width_o="1029" height_o="1029" data-src="https://freight.cargo.site/t/original/i/aeaca8d709cb29015595c7648cddd7bd253a7342c0008de832643d96bd0bd45b/Artist-2-Artist.gif" data-mid="228038354" border="0" alt="/ ARTIST 2 ARTIST" data-caption="&lt;span&gt;/ ARTIST 2 ARTIST&lt;/span&gt;" src="https://freight.cargo.site/w/1000/i/aeaca8d709cb29015595c7648cddd7bd253a7342c0008de832643d96bd0bd45b/Artist-2-Artist.gif" /> Mihi to our supportive funders: <img width="1007" height="348" width_o="1007" height_o="348" data-src="https://freight.cargo.site/t/original/i/c32948497810a9e6142fe92a0d37a10c65ad17fd99a440520eeee335f8c76569/CNZ-Logo-Mono.jpg" data-mid="238782215" border="0" data-scale="28" src="https://freight.cargo.site/w/1000/i/c32948497810a9e6142fe92a0d37a10c65ad17fd99a440520eeee335f8c76569/CNZ-Logo-Mono.jpg" />the Gow Family Foundation IMAGES :&nbsp; 1. Taiaroa Heads NZ&nbsp; |&nbsp; 2. Brushes Inside An Apple&nbsp; |&nbsp; 3. Grace Halpin Knife &amp; Fork&nbsp; |&nbsp; 4. Rack Railway Chain&nbsp; |&nbsp; 5. Take My Money&nbsp; |&nbsp; 6. Hand Book&nbsp; |&nbsp; 7. Greek Sculpture &nbsp;&nbsp; &lt;&nbsp; CLICK HERE FOR SOURCE + © INF0&nbsp; &gt; &nbsp; &nbsp;&nbsp; https://artsmakersaotearoa.nz/About-1 Fri, 11 Feb 2022 04:41:59 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/About-1 /&nbsp; &nbsp;A B O U T <img width="1000" height="800" width_o="1000" height_o="800" data-src="https://freight.cargo.site/t/original/i/fca21a61ca03c448b5125ada5c1371f7c31317a606c5cde8bbb901057a1add7e/v2vk9w_lge.gif" data-mid="175583422" border="0" src="https://freight.cargo.site/w/1000/i/fca21a61ca03c448b5125ada5c1371f7c31317a606c5cde8bbb901057a1add7e/v2vk9w_lge.gif" /> &nbsp; E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa! &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa! &nbsp; &nbsp; E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa! &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa! &nbsp; &nbsp; E whai ana tātou i te hua o te whakawhānuitanga manaakitanga, kia tauawhitia ai tātou katoa! &nbsp; Arts Makers / Kāhui Ringatoi Aotearoa (AMA) believes in the power of arts, culture and creativity to enrich the lives of all New Zealanders. AMA aims to raise the standard of support for visual artists and the arts sector as a whole. It is time for art makers to shape the policies that directly affect our arts communities, work and wellbeing. Since 2020, AMA has become an established advocacy network tuned into the discussions taking place amongst our extended whānau, friends and peers. We hear the widespread frustration that our creative community feels and use this knowledge to inform the trajectory of our work directly. The current state of affairs is impacted by the threat to arts funding and the bias in society in undervaluing art and artists. AMA has contributed to the campaign for Resale Royalties in the secondary market and has created the first set of guidelines on Artist Fees in Aotearoa, New Zealand. Arts Makers Aotearoa has identified the need for a diverse collective of makers to self-organise and create initiatives that can sustain the members of our creative community. We believe that working together is the surest path to meaningful change and radical imaginaries. &nbsp;Areas of Discourse&nbsp; Nau mai ngā ora, Nau mai ngā pai, Nau mai kia nui kia hāwere ai. 01 / care &nbsp;manaaki&nbsp; How can we ensure equitable inclusion and representation of art makers that reflects the diversity* of Aotearoa? 02 / nurture &nbsp;āwhina&nbsp; How are arts organisations, the education sector, local councils and central government engaging with and listening to the concerns of arts makers? 03 / support &nbsp;tautoko&nbsp; How can we support and sustain skill sharing and development within our arts communities? 04 / sustainability &nbsp;toitūtanga&nbsp; What does health and sustainability look like for you as an arts maker and us as an arts community? 05 / education &nbsp;ako&nbsp; How are the arts and arts makers valued within our education systems? * In regards to cultural identity, ethnicity, ancestry, religion, age, ability status, social class, sex, sexual orientation, gender identity or expression, mental health status, and / or any other characteristic. &nbsp; &nbsp; Who is behind the screens ︎︎&nbsp; &nbsp;︎︎ at AMA? <img width="960" height="960" width_o="960" height_o="960" data-src="https://freight.cargo.site/t/original/i/968f67939ed1a79517adb5133e2d0810cf08ff0c2a94058ac6ad32be97e04f4a/Group-Photo.jpg" data-mid="134596870" border="0" src="https://freight.cargo.site/w/960/i/968f67939ed1a79517adb5133e2d0810cf08ff0c2a94058ac6ad32be97e04f4a/Group-Photo.jpg" /> Arts Makers Aotearoa was founded in 2020 by Heidi Brickell, Judith Darragh, Mark Harvey, Rebecca Hobbs, Roxanne Hawthorne and Richard Orjis. Through arts funding Sophie Sutherland and Natasha Matlia-Smith were previously employed as Project Managers / Administrators delivering AMA’s founding mahi. And ngā manaakitanga to recently departed board member Siân Quennell Torrington, and designer Roxanne Hawthorne who spearheaded AMA’s online presence + print projects from 2020-25. The current AMA board is made up of Judith Darragh, Zoe Black and Victoria Walsh, donating their time in advisory roles, and Claudia Jowitt as Project Manager / Administrator with CNZ funding. &nbsp; Judith Darragh ONZM &nbsp; Judith, exhibits throughout Aotearoa and is renowned for her sculptural assemblages, collage, photography, video, and poster art — with many works held in public collections. Alongside co-editing Femisphere, a zine / publication supporting women’s art practice Judith was central to the development of Artspace Aotearoa, as well as artist-run spaces Teststrip, and Cuckoo. Judith has also been an educator, and mentored many artists over the past 30 years. &nbsp; Zoe Black &nbsp;Zoe, Ngāpuhi, Ngāti Hine, Pākehā, is the deputy director of Objectspace in Tāmaki Makaurau. Her curatorial practice has focussed on community development and advocating for critically underrepresented craft and object art forms. She is currently Norwegian Crafts’ Curator in Residence, working on projects that create a dialogue between Indigenous making practices in Aotearoa and Sápmi. &nbsp; Victoria Walsh &nbsp; Victoria, originally from Nova Scotia, is a dedicated advocate for the creative sector in Aotearoa. She focuses on mobilising and empowering creative communitites, with a strong commitment to te ao Māori and mana motuhake for Indigenious practitioners. In 2003, Vic played a pivotal role in the Stop the Cuts campaign, opposing the Auckland Council’s proposed $36.5M cuts to arts funding. Her work centres on supporting creatives and advoating for systems that uplift cultural sovereignty and artistic sustainability. &nbsp; Claudia Jowitt &nbsp; Claudia is an artist, educator, administrator and creative advocate of Pākehā and iTaukei (Fijian) heritage. She has a MFA from Elam, a BArtDes (Hons) and BVA from AUT. She been exhibiting both nationally and internationally since first completing her undergraduate degree in 2009. Jowitt has a breadth of experience working in the arts sector and is passionate about both supporting representation of Pacific peoples in the arts and creating professional development resourcing for artists. IMAGE CREDITS :&nbsp; 1. Hello Eyeball Gif&nbsp; |&nbsp; 2. AMA Whānau Photo&nbsp; &nbsp; &nbsp; &lt;&nbsp; CLICK HERE FOR SOURCE + © INF0&nbsp; &gt; &nbsp; &nbsp;&nbsp; https://artsmakersaotearoa.nz/Artists-Fees Mon, 27 Mar 2023 08:44:42 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Artists-Fees /&nbsp; A R T I S T S ’&nbsp; F E E S AMA advocates for the value of artists and art in the form of more paid roles in the arts and less unpaid, volunteer based internships. We want to help Aotearoa come into step with international best practice.The art industry has relied on the backbone of volunteer time and we must fight for this labour to be paid and valued in a way that will create more jobs and better quality of life for the creative community. Creative New Zealand advises that art workers and practitioners are paid a minimum of $30 per hour.Fair remuneration means pay rates for more experienced artists or art practitioners should be at a level above or well above the minimum wage, be in line with their skills and experience, and recognise the duration or nature of the project (e.g. contract work). <img width="897" height="794" width_o="897" height_o="794" data-src="https://freight.cargo.site/t/original/i/eab8cc5670b39ffd537d192267e6a745fc509c76f27d85a040ae6f66962cd0ae/29-Simon-Roberts-Placards.jpg" data-mid="218777950" border="0" src="https://freight.cargo.site/w/897/i/eab8cc5670b39ffd537d192267e6a745fc509c76f27d85a040ae6f66962cd0ae/29-Simon-Roberts-Placards.jpg" /> &nbsp; Artist Fee Guideline &nbsp; An artist fee is understood as compensation for content and services provided by artists to publicly funded galleries. The artist fees below provide a guideline for consideration to ensure a minimum for fair and reasonable payment and understand that every exhibition, artist and context is different. The rates will change with annual future inflation and community consultation. [ Click on rates to view full screen ] <img width="1748" height="2480" width_o="1748" height_o="2480" data-src="https://freight.cargo.site/t/original/i/514ca8da570dab9279ad45a86fd9b93bc5da83a594bcc079ddc3ba36cb853962/Artists-Fees-Te-Reo-A5-Postcard-Mono2.jpg" data-mid="234779774" border="0" src="https://freight.cargo.site/w/1000/i/514ca8da570dab9279ad45a86fd9b93bc5da83a594bcc079ddc3ba36cb853962/Artists-Fees-Te-Reo-A5-Postcard-Mono2.jpg" /> <img width="1748" height="2480" width_o="1748" height_o="2480" data-src="https://freight.cargo.site/t/original/i/445c7ce6cd996817b24d46daaef1453350ef756af81eef6ec96bbb253932b5d7/Artists-Fees-A5-Postcard-Mono.jpg" data-mid="234779785" border="0" src="https://freight.cargo.site/w/1000/i/445c7ce6cd996817b24d46daaef1453350ef756af81eef6ec96bbb253932b5d7/Artists-Fees-A5-Postcard-Mono.jpg" /> The figures were created in consultation with people from the visual art sector, including independent creative practitioners, Arts Makers Aotearoa members, the Aotearoa Public Gallery Directors Network (APGDN), Dignity and Money Now&nbsp;(D.A.M.N.) and in reference to international precedence set by Working Artists and the Greater Economy (W.A.G.E, United States) and the National Association for Visual Artists (NAVA, Australia). Taken as a minimum payment standard, the compensation floor is appropriate for smaller government funded organisations with limited means but inappropriate for those with larger budgets that can afford to pay higher fees. We understand that some self-funded artist-run spaces are not in a financial position to provide an artist fee. We encourage them to make this transparent to prospective artists and endeavour to apply for future funding to cover artist fees. Although distinct from the artists’ fee guidelines, AMA takes the position that galleries should cover or assist artists with production costs. Alternatively, galleries should lead or collaborate with the artists to seek external funding to cover these costs. <img width="2500" height="1612" width_o="2500" height_o="1612" data-src="https://freight.cargo.site/t/original/i/ca5408ba7824961a44b4c605a3f9803a8ef83a2eb6bc71b3c35909f299426bb6/24-rawpixel-id-6260610-original.jpg" data-mid="173419801" border="0" src="https://freight.cargo.site/w/1000/i/ca5408ba7824961a44b4c605a3f9803a8ef83a2eb6bc71b3c35909f299426bb6/24-rawpixel-id-6260610-original.jpg" /> Fair pay for artists. Money for art’s sake! &nbsp; &nbsp; Definitions &nbsp; &nbsp;&nbsp; Definitions &nbsp; &nbsp;&nbsp; Definitions&nbsp; &nbsp; &nbsp; Definitions &nbsp; &nbsp;&nbsp; Definitions &nbsp; &nbsp;&nbsp; Definitions &nbsp; &nbsp;&nbsp; Definitions &nbsp; &nbsp; &nbsp; Artist Fee&nbsp;&nbsp; An artist fee is compensation for time-limited content and services provided by artists to public art organ-isations as contracted by galleries in the course of mounting programmes, as defined by their mission. An artist fee is not intended as compensation for the labour or materials of making art but is the expected remuneration for an artist’s temporary transactional relationship with an institution to provide content. Payment is not for the content itself but for its provision. The artist fee is distinct and separate from basic programming costs and services, production expenses, and the purchase of artworks or copyrights. Payment of an artist fee does not imply the transfer of ownership or rights from the artist to the organisation. Any transfer of ownership or rights must be negotiated between the artist and the organisation under a separate agreement. &nbsp;&nbsp;Artist &nbsp; ‘Artist’ refers to all those who supply content and services in an art gallery presenting context, including visual artists, performers, dancers, poets, filmmakers, writers, and musicians, among others. It does not distinguish between individual and collective / collaborative providers of content and services. All are covered under the term ‘artist.’ &nbsp;&nbsp;Basic Programming Costs &nbsp; An artist fee is distinct and separate from basic programming costs and services. Basic programming costs are the costs associated with the basic require-ments of mounting programmes as defined by the organisation’s mission and are irrespective of specific content. These basic requirements also constitute the basic programming services an organisation must provide to artists in mounting programmes. The provision of basic programming costs and services include: &nbsp; Provision of exhibition, performance, or projection space Preparation of exhibition, performance, or projection space for the programme&nbsp; Shipping and insurance costs when necessary&nbsp; Presentation infrastructure, including display equipment, exhibition furniture and lighting Documentation of exhibition or event Promotion of exhibition or event&nbsp; Travel and accommodation when necessary Obtaining and paying for image rights for commissioned and existing text &nbsp; Production Costs &nbsp; Production costs are also distinct and separate from basic programming costs and services and investments an organisation may make in display equipment or exhibition furniture in conjunction with the presentation of a specific programme where these remain the organisation’s property. The organisation may negotiate reimbursement of production expenses if the work is sold subsequent to exhibition. Production costs may include (but are not limited to): Fabrication of work Specialised installation expenses above and beyond basic programming costs and services Studio rental Equipment rental Subcontracted labour by graphic designers, fabricators, performers, lighting designers, etc.&nbsp; The coverage of production costs by the organisation is not required; however, organisations may not reduce or omit artist fees in connection with the coverage of production costs. Production costs and artist fees constitute separate and distinct line items in the exhibition and operating budgets. &nbsp; ︎︎︎ &nbsp; Types of Galleries &nbsp; ︎︎︎ &nbsp; <img width="1500" height="1963" width_o="1500" height_o="1963" data-src="https://freight.cargo.site/t/original/i/7270835ebab8eda6a474f231db4c84006360c5efb867a48cc58637bc6a60c797/Galleries.gif" data-mid="181423042" border="0" src="https://freight.cargo.site/w/1000/i/7270835ebab8eda6a474f231db4c84006360c5efb867a48cc58637bc6a60c797/Galleries.gif" /> &nbsp;&nbsp;Public Art Galleries &nbsp;Government-run galleries, independent government-funded galleries, council-run galleries, and independent council-funded galleries. Public galleries cover a wide range of exhibition spaces. They do not process the sale of artwork but often have a gallery shop where merchandise, books and prints are available. Public galleries often have collections and exhibit historical or themed exhibitions showcasing these collections. Some public galleries focus on curated exhibition programs, working closely with the artist(s) during the show’s development. In the case of extensive public galleries, a combination of these two styles can occur. Public galleries usually provide an artist fee to the creatives who provide content for the exhibitions. Artists do not rent these spaces. The artists involved sign contractual agreements to exhibit. Exhibition programmes are developed in advance through curatorial decisions or formal proposals. This process relies on the curatorial team of each gallery and responds to the various requirements prioritised by management and programme policies. &nbsp; Community Gallery &nbsp;Community galleries serve their community by providing gallery members of the local community opportunities to exhibit and sell work. There is often a commission on sales. Community galleries maximise their space by having a shop-style gallery for people to browse and buy art easily. Some of these galleries will take a commission on the sales of work. It should be outlined in a contract before the show’s installation. &nbsp; Artist-Run Spaces &nbsp;Artist-run spaces are galleries organised and directed by an artist or group of creatives. They are usually self-funded by the organisers or depend on funding from government funding bodies such as Creative New Zealand. Artist-run spaces are alternative exhibition spaces to mainstream galleries and will often encourage emerging artists and experimental art projects. They do not usually process the sale of work but can partake in fundraising events or art fairs. Artist-run spaces offering an artist fee depends on whether they receive funding and decisions made by the organising team. Exhibitions are not often curated but go through a proposal process. This process asks for proposals from individual artists, groups, or curators proposing new work or projects. There are usually one or two calls for proposals throughout the year, whereby the organising group collectively decides on the exhibition program for the upcoming year based on the proposals offered. &nbsp; Art Museum &nbsp;Art Museums do collect art. They often have historic shows based on their collection. These show are curated, but Art Museums only sell work for a particular event, such as a fundraiser. &nbsp;&nbsp;Dealer / Commercial Gallery&nbsp;&nbsp; Dealer or Commercial galleries are spaces run by a gallerist or dealer who buy and sell artwork. They have access to an extensive network of collectors and institutions. Dealer galleries often work with select artists depending on their styles and aesthetic tastes. In exchange for commission (a percentage of the artworks sold), the dealer commits to supporting their artists through networking, showcasing, promoting and selling artworks. These galleries take a commission of around 40-50%. &nbsp;&nbsp;Informal Cooperative&nbsp;&nbsp; Informal cooperatives are similar to Dealer or Commercial galleries. Rather than one gallerist who runs the space, an informal cooperative is run by a collective that makes decisions as a group and acts as a board for the business. The gallery deals with sales, media promotion, advertise-ment, and choosing the artists to show. They also take a commission on sales, usually 40%. They do not function through a call-for-proposal system. &nbsp;&nbsp;Vanity Art Gallery / Rental Gallery&nbsp;&nbsp; Vanity galleries are spaces where artists pay to rent either wall space or the entire gallery to show their work for a specific time and sell work. Vanity galleries offer their support in helping to promote the artist and the event of the show and will process the sale with a variable commission rate. To view a list of art galleries and museums in Aotearoa, along with lots of other helpful information, download the AMA Resource / Rauemi pdf link here&nbsp;︎ IMAGE CREDITS :&nbsp; 1. Protest Signs&nbsp; |&nbsp; 2. Hand Out&nbsp; |&nbsp; 3. William Blake&nbsp; &nbsp; &lt;&nbsp; CLICK HERE FOR SOURCE + © INF0&nbsp; &gt; &nbsp; &nbsp;&nbsp; https://artsmakersaotearoa.nz/Best-Practice Thu, 10 Feb 2022 10:47:21 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Best-Practice /&nbsp; B E S T&nbsp; P R A C T I S E <img width="3500" height="961" width_o="3500" height_o="961" data-src="https://freight.cargo.site/t/original/i/9283fe5ca3b23ef0cdcfa4685d6d4f44badbcc88e81bc11cd0be357bfc39cba4/image-from-rawpixel-id-3366689-jpeg.jpg" data-mid="173644500" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/9283fe5ca3b23ef0cdcfa4685d6d4f44badbcc88e81bc11cd0be357bfc39cba4/image-from-rawpixel-id-3366689-jpeg.jpg" />&nbsp; Contracts &nbsp; There are so many styles of contracts, some contracts if you are working with a gallery as an artist are very informal and trust based. If you are signing a contract, make sure to read it through thoroughly as it is legally binding. &nbsp;C O N T R A C T&nbsp; &nbsp;C H E C K L I S T : The work you will be getting paid to do and how you will be getting paid What you are expected to do — services that you will provide Where you will deliver these services e.g. at home or a different location How much you will be paid, and when to invoice for this (weekly, monthly, or after certain tasks or projects have been completed) How many hours you’ll work per day / week / month — this could be a range e.g. up to 25 hours per week — and when you’ll work them, e.g. on weekdays between 9am to 5pm How long the contract will last — also called its ‘term’ — and whether it can be renewed What expenses or allowances you’ll be paid, e.g. will you be reimbursed if you use your own car or your own tools, will you be reimbursed for food and accommodation if you travel Who will your client contact person will beWhether either party has the right to terminate the contractHow disputes will be resolved — when you’re a contractor you can’t raise a personal grievance if you and a client you work for have a disagreementWho will own any intellectual property that you may have developed as part of the contract &nbsp; ©opyright Licensing &nbsp; Copyright Licensing New Zealand (CLNZ) is a not-for-profit collective set up to support visual artists by overseeing the collection of fees for the use of an artist’s image.Signing up to CLNZ and spreading the word to other artists to do the same will help the visual arts to collectivise and make change, gaining a similar model of support to what APRA offers the music industry. This set up promotes the value of artists and their work, encouraging respect and protection of intellectual property. Sign up with CLNZ here ︎ <img width="990" height="768" width_o="990" height_o="768" data-src="https://freight.cargo.site/t/original/i/82c3d25101da85b6ae84f3300c9077d7bae77e31e4907c9699e9d0aee424a8b5/Copyright.gif" data-mid="214708757" border="0" src="https://freight.cargo.site/w/990/i/82c3d25101da85b6ae84f3300c9077d7bae77e31e4907c9699e9d0aee424a8b5/Copyright.gif" /> &nbsp; THE NUTS &amp; BOLTS OF ©OPYRIGHT &nbsp;&nbsp;Have a read of Karen Workman’s concise overview with regards to copyright in Aotearoa — before it gets removed&nbsp; ; ) Read here ︎ &nbsp; Dealing with &nbsp;&nbsp; Dealers &nbsp;&nbsp; Have a read of Tim Melville’s ‘Dealing with Dealers’ document. Tim has kindly permitted for us to share it with you. Read here&nbsp;︎ <img width="1800" height="1013" width_o="1800" height_o="1013" data-src="https://freight.cargo.site/t/original/i/b9298a95c141a4e2ae0cd0d40e5f71782133336286acbecbbd2da45801afc910/3-pexels-shvetsa-6664176.jpg" data-mid="239361276" border="0" src="https://freight.cargo.site/w/1000/i/b9298a95c141a4e2ae0cd0d40e5f71782133336286acbecbbd2da45801afc910/3-pexels-shvetsa-6664176.jpg" /><img width="2047" height="1117" width_o="2047" height_o="1117" data-src="https://freight.cargo.site/t/original/i/222c12dfe774505a576daf93b4ad15af53b5240bd52638b8505b2d8456d3294c/3-Flickr-26300338694_9fc6644a2f_k.jpg" data-mid="133063973" border="0" style="width: 1126.74px; height: 614.838px; display: none;" src="//freight.cargo.site/w/1000/i/222c12dfe774505a576daf93b4ad15af53b5240bd52638b8505b2d8456d3294c/3-Flickr-26300338694_9fc6644a2f_k.jpg"> &nbsp; Tax and Gst &nbsp; <img width="1000" height="1304" width_o="1000" height_o="1304" data-src="https://freight.cargo.site/t/original/i/ef8bf9c76638ad01b618b89b261bd0544a93faf13c5bd164d01f41c73c97d68d/8-MA_I436653_TePapa_Advertisement.jpg" data-mid="134163968" border="0" src="https://freight.cargo.site/w/1000/i/ef8bf9c76638ad01b618b89b261bd0544a93faf13c5bd164d01f41c73c97d68d/8-MA_I436653_TePapa_Advertisement.jpg" /> If you are an artist working individually with or without a dealer the best way to manage your tax is through being a sole trader. Sole traders are people who work for themselves, contract out their services or have a small business where they are the sole member.You do not have to register with a government agency to become a sole trader and unless you make over $60,000 per year you do not need to be GST registered.Record keeping is key and will allow you to claim back on business expenses and lower the amount of tax you have to pay at the end of each year. Keep GST receipts and a book or leger of what you buy for your business. For example, if you work from home or use the internet for your work a percentage of rent and bills can be claimed back as business expense. As a sole trader you are responsible for paying your own tax and ACC levy (this is a small annual amount that ACC sends you an invoice for that is determined by the type of business you run). Usually sole traders pay 30% tax so it is helpful to put this aside with each payment you receive throughout the year. At the end of the financial year (31st March) fill out an Individual Tax Return (IR3) through Inland Revenue. More info ︎ &nbsp; Ways to reduce the amount of tax you have to pay:Claim expenses that you have spent on your business (this is where book keeping comes in handy). Make sure you keep all the receipts too! Accounting software might help you manage your record keeping and keep track of tax. Examples of these are Xero or Henry which allow everything to be stored online. Although you do still need to keep receipts and records for seven years, in case Inland Revenue audits you. What you need to know if you have multiple jobs:Making, exhibiting, and selling art doesn’t always cover the bills, so a lot of artists need multiple jobs as a way to get buy. This falls under freelance or gig work.&nbsp; You need to pay tax on all of your jobs, and fill out an IR330C for each source of income at the end of the tax year. You are responsible for paying your tax on all sources of income as well as ACC levies, KiwiSaver, student loan, and child support (if these apply). <img width="1600" height="1477" width_o="1600" height_o="1477" data-src="https://freight.cargo.site/t/original/i/0f8a942ca7447273ac094121e9a445326a38a6a4f4dbff0a10379a5240bb9e78/image-from-rawpixel-id-473866.jpg" data-mid="173646920" border="0" src="https://freight.cargo.site/w/1000/i/0f8a942ca7447273ac094121e9a445326a38a6a4f4dbff0a10379a5240bb9e78/image-from-rawpixel-id-473866.jpg" /> &nbsp; Support for Arts Makers &nbsp; There may be times in your creative career where you come across conflict or dispute, perhaps someone uses an image of your work in a way you are not comfortable with, or there is some wrong-doings occuring at your place of work but you are worried about exposing it. Alternatively you may find the need for some career mentoring or PR at some point. Listed here are some people and sites that can help support you in these areas. <img width="1600" height="1308" width_o="1600" height_o="1308" data-src="https://freight.cargo.site/t/original/i/af0f843262b8c0ffa5efec0393a0bf60f44e8773b073e6d4ccb45948d649a749/image-from-rawpixel-id-473763.jpg" data-mid="173646933" border="0" src="https://freight.cargo.site/w/1000/i/af0f843262b8c0ffa5efec0393a0bf60f44e8773b073e6d4ccb45948d649a749/image-from-rawpixel-id-473763.jpg" /> &nbsp;&nbsp; COPYRIGHT ISSUES&nbsp; &nbsp; Caroline Stone / Copyright Advisor ︎Caroline Stone is a legal advisor who runs Creative Legal Services. Caroline works on negotiating and drafting licensing agreements between illustrators, photographers, visual artists and brands wanting to license copyright content. CLNZ / Copyright Licensing ︎Copyright Licensing New Zealand helps everyone who copies and shares anything from books and journals to do so legally. It’s all about doing right by our New Zealand authors, publishers and creators. Demand Letter / Template ︎ If you have a legal issue with someone using your work in an unlicensed way you can use this template to communicate with the person / organisation in question. Click link below to download the ‘Demand Letter’ and fill in the sections highlighted. &nbsp; &nbsp;RESOLVING EMPLOYMENT ISSUES&nbsp; &nbsp; Hilary Ord / Mediator&nbsp;︎ Specialises in dispute mediation within the art and creative industries. Hilary helps facilitate communication between participants to discover options that may exist by guiding them to find a resolution and settle a dispute by reaching an agreement before it escalates into a matter for the courts. Community Law / Whistleblower&nbsp;︎ Information regarding action that can be taken when wrongdoing by an employer, or within your employer’s organisation, occurs. Community Law / Grievances&nbsp;︎ Information on a personal grievance process if your employer has fired you unfairly or done something else you think is unjustified. Personal grievances are also available on certain other grounds, like discrimination and sexual harassment. &nbsp; CAREER STRATEGY AND GUIDANCE&nbsp; &nbsp; Anna Dean / Strategist&nbsp;︎ Anna is an experienced creative impact producer within the industry and arts sectors. A PR maven, social media strategist and memorable event creator. Anna also offers strategy expertise, network facility and talent coaching to help you gain clarity, enthusiasm and direction. Nicola Devine / Mentoring&nbsp;︎ Nicola is the founder of Tanker Creative which offers mentoring, brand, website and social media support. She also facilitates workshops for Wayfind Creative and ArtsLab, and can provide ongoing mentoring and support for creative practitioners and organisations. Tanker Creative operates from Auckland, Whanganui, and Ōtautahi Christchurch. Emil McAvoy / Artist Consultant&nbsp;︎ Emil McAvoy is an experienced, independent consultant and mentor supporting artists to achieve the results they seek, and build rewarding, sustainable long term careers. IMAGE CREDITS :&nbsp; 1. John H. Tercuzzi&nbsp; |&nbsp; 2. Copyright&nbsp; |&nbsp; 3. Dealers&nbsp; |&nbsp; 4. Advertisement&nbsp; |&nbsp; 5. Closeup of a Column Head&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&lt;&nbsp; CLICK HERE FOR SOURCE + © INF0&nbsp; &gt;&nbsp; &nbsp; &nbsp; &nbsp;&nbsp; &nbsp; https://artsmakersaotearoa.nz/Hand-Book Tue, 15 Feb 2022 22:29:30 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Hand-Book /&nbsp; &nbsp;H A N D&nbsp; B O O K Hand Book is a collection of essays and artworks exploring what it means to be an art maker in Aotearoa — by artists, for artists.This free pukapuka is proudly brought to you by Arts Makers Aotearoa, with generous funding from Creative New Zealand. E iti noa ana, na te aroha. ︎ Click on the image below to view essays online <img width="1500" height="1064" width_o="1500" height_o="1064" data-src="https://freight.cargo.site/t/original/i/71d2eba6c968472b1580559f2699012b1695afe83d32362abb6a961ce77e36cc/AMA-Hand-Book-0.png" data-mid="214816312" border="0" src="https://freight.cargo.site/w/1000/i/71d2eba6c968472b1580559f2699012b1695afe83d32362abb6a961ce77e36cc/AMA-Hand-Book-0.png" /> <img width="1500" height="1064" width_o="1500" height_o="1064" data-src="https://freight.cargo.site/t/original/i/e7ce7b8425b7f7d9026177b0032617bda0c711887c890699004d3ac8061739c9/AMA-Hand-Book-1.jpg" data-mid="214789357" border="0" src="https://freight.cargo.site/w/1000/i/e7ce7b8425b7f7d9026177b0032617bda0c711887c890699004d3ac8061739c9/AMA-Hand-Book-1.jpg" /> <img width="1500" height="1064" width_o="1500" height_o="1064" data-src="https://freight.cargo.site/t/original/i/853723d023f068c0b7a8d81392b59ee2f638dabf7935aa7355cb2d011ee9e251/AMA-Hand-Book-3.jpg" 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from Creative New Zealand — &nbsp; &nbsp;BOOK DOWNLOAD &nbsp;If you missed out on a printed copy you are welcome to download a pdf here for yourself, or your students. [ AMA ]&nbsp; Hand Book ︎ For best print results we recommend: Print pages at 95%, single or double-sided, A4 landscape.Centre on page with no crops or bleed.Output as colour or black &amp; white. IMAGE CREDITS :&nbsp; 1. Hand Book Cover&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &lt; CLICK HERE FOR SOURCE INFO &gt; https://artsmakersaotearoa.nz/Artist-2-Artist Thu, 06 Mar 2025 02:33:21 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Artist-2-Artist /&nbsp; A R T I S T&nbsp; 2&nbsp; A R T I S T <img width="1600" height="1327" width_o="1600" height_o="1327" data-src="https://freight.cargo.site/t/original/i/fa92712f772c4665c27d64095e075d647884faf5a6b8c9b53dd46ff8f472e603/Heart-Talk-Van-Mei--Web.jpg" data-mid="228035107" border="0" src="https://freight.cargo.site/w/1000/i/fa92712f772c4665c27d64095e075d647884faf5a6b8c9b53dd46ff8f472e603/Heart-Talk-Van-Mei--Web.jpg" /> The essays in HEART TALK have all been written by and about artists. By sharing from their ngākau about creativity, inertia, struggles, vulnerabilities and strengths our artists in this series provide guidance and nourishment to creative folks of any age or skill level. Wander through the essays and fall into the blues of Blackness in Oceanic art practices, the shadowy self-interiors that are revealed within creative collaboration, invite yourself to get cosy with reality and the unknown, understand culture as a living practice, cultivate the artistic self that has less shame and more fun and be proud, tangata Māori mā, of everything you bring your people!︎ Click on the image below to view essays online <img width="1900" height="1343" width_o="1900" height_o="1343" data-src="https://freight.cargo.site/t/original/i/43c2cdda076acdb46d54c5bbfbc609b813fc483661d469f4d4b96493b5eddf32/AMA-Heart-Talk-Booklet-A4_page-01.jpg" data-mid="239049185" border="0" src="https://freight.cargo.site/w/1000/i/43c2cdda076acdb46d54c5bbfbc609b813fc483661d469f4d4b96493b5eddf32/AMA-Heart-Talk-Booklet-A4_page-01.jpg" /> <img width="1900" height="1343" width_o="1900" height_o="1343" 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height_o="1343" data-src="https://freight.cargo.site/t/original/i/0253d5391c513295bb47b6acf7af8bd115d4f723fcfc62644337672c1a45bf46/AMA-Heart-Talk-Booklet-A4_page-42.jpg" data-mid="239049382" border="0" src="https://freight.cargo.site/w/1000/i/0253d5391c513295bb47b6acf7af8bd115d4f723fcfc62644337672c1a45bf46/AMA-Heart-Talk-Booklet-A4_page-42.jpg" /> Commissioned and produced by Van MeiFacilitated by Claudia Jowitt Designed by Roxanne HawthorneCopy Edited by Marie Shannon Publishing partnership with The Big IdeaFunded with support from Creative New Zealand — &nbsp; &nbsp;ESSAY DOWNLOADS&nbsp; &nbsp; AMA HEART TALK &nbsp;[all six essays]&nbsp;&nbsp;︎ Piupiu Maya Turei Essay&nbsp; ︎ Leafa Wilson Essay&nbsp; ︎ Tunmise Adebowale Essay&nbsp; ︎ Maia Keane Essay&nbsp; ︎ Manu Vaea Essay &nbsp;︎ Luisa Tora &amp; Molly Rangiwai-McHale Essay&nbsp; ︎For best print results we recommend: Print pages at 100%, double-sided, A4 landscape.Print covers separately at 95%. Centre on page with no crops or bleed.Output as colour or black &amp; white. IMAGE CREDITS :&nbsp; 1. Heart Talk Type&nbsp; |&nbsp; 2. Heart Talk Cover&nbsp; &nbsp; &nbsp; &nbsp; &lt; CLICK HERE FOR SOURCE + © INFO &gt;&nbsp; &nbsp; https://artsmakersaotearoa.nz/Funding Tue, 15 Feb 2022 06:05:55 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Funding /&nbsp; &nbsp;F U N D I N G &nbsp; Funding Applications &nbsp; We recommend contacting who it is you are applying to before putting in an application. This way you can talk with someone about what the criteria is, and introduce yourself to the funding body.Creative New Zealand is one of the main funding bodies in Aotearoa. You can contact their funding services team on 0800 273 284 or email funding@creativenz.govt.nz <img width="2155" height="1564" width_o="2155" height_o="1564" data-src="https://freight.cargo.site/t/original/i/ace324881f3c81652755680518a1d4c6086596ef171ea43d4e00573a1c6dbd11/23-Leo-Gestel-rawpixel-id-3043177-jpeg.jpg" data-mid="173346873" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ace324881f3c81652755680518a1d4c6086596ef171ea43d4e00573a1c6dbd11/23-Leo-Gestel-rawpixel-id-3043177-jpeg.jpg" /> Through CNZ you can apply for an Arts Grant between $5000 and $125,000 if you have success* and a proven track record in your artististic field. CNZ has two funding schemes for artists and arts organisations working rurally or away from the major cities in Aotearoa. These are The Creative Communities Scheme and Ngā toi ā Rohe, Arts in the Regions. CNZ funds a diverse range of projects and artforms, such as Community Arts, Craft / Art Object, Dance, Interarts, Literature,&nbsp;Music, Multidisciplinary Arts, Ngā Toi Māori, Pacific Arts, Theatre, and Visual Arts. *CNZ offers funding for a wide range of art forms. For a visual artist, success means at least one public exhibition of a body of work that achieved a degree of critical or sales success. This can be a solo show or as part of a group exhibition, but not as part of a course of study. CNZ’s criteria of success is different for each type of art form that it supports. Find out more about CNZ funding here&nbsp;︎ &nbsp; Guidelines for &nbsp;&nbsp; Funding Applications &nbsp; There are criteria for all types of funding.Make sure to read over each criteria carefully when making an application. With CNZ, for example, you only need to achieve one of their strategic outcomes. &nbsp; CNZ’S STRATEGIC OUTCOMES ARE:&nbsp; &nbsp; 01 / High qualityNZ art isdeveloped 02 /NZ’ersparticipatein the arts 03 /NZ’ersexperiencequality arts 04 / NZ arts gaininternationalsuccess 05 /NZ’s artssector isresilient These guidelines are the same whether you are applying for funding as an individual, group, or an organisation.You can find out more about these here&nbsp; ︎ <img width="2500" height="1400" width_o="2500" height_o="1400" data-src="https://freight.cargo.site/t/original/i/d64d4f859e172363468d3a57c9440c071cf1d20afc175b2bac7dfdbb03fe0fbe/Funding_Sml.gif" data-mid="134606800" border="0" src="https://freight.cargo.site/w/1000/i/d64d4f859e172363468d3a57c9440c071cf1d20afc175b2bac7dfdbb03fe0fbe/Funding_Sml.gif" /> &nbsp; Arts Funding Bodies &nbsp; Arts Access Aotearoa &nbsp;︎ Asia NZ Foundation &nbsp;︎ Auckland Council &nbsp;︎ Boosted New Zealand &nbsp;︎ Central Otago Arts &nbsp;︎ Creative Bay of Plenty &nbsp;︎ Creative New Zealand &nbsp;︎ ︎ Creative Waikato &nbsp;︎ Dunedin City Council &nbsp;︎ Ministry of Culture &amp; Heritage &nbsp;︎ Ministry of Education &nbsp;︎ New Zealand on Air &nbsp;︎ University of Otago &nbsp;︎ Waikato District Council &nbsp;︎ IMAGE CREDITS :&nbsp; 1. Two Hands&nbsp; |&nbsp; 2. Multi Image&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&lt; CLICK HERE FOR SOURCE INFO &gt; https://artsmakersaotearoa.nz/Source-Info Sun, 20 Feb 2022 23:29:29 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Source-Info /&nbsp; S O U R C E&nbsp; +&nbsp; ©&nbsp; I N F O&nbsp; &nbsp; <img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/841a73ffc2b68caf6f99091610051070c2c07eb9f63506ea50fe416d491979a0/11756-Tomato-Sauce-Bottle-Tile.jpg" data-mid="214815483" border="0" data-scale="100" src="https://freight.cargo.site/w/500/i/841a73ffc2b68caf6f99091610051070c2c07eb9f63506ea50fe416d491979a0/11756-Tomato-Sauce-Bottle-Tile.jpg" /> /&nbsp; M E N U Ideal World French Fries $2. Courtesy of Fav Png. (CC0 1.0)&nbsp;︎Ideal World Beer $2. Courtesy of Kind Png. (CC0 1.0)&nbsp;︎ Ideal World Artist Hourly Rate $100. Courtesy of the RBNZ. (CC0 1.0)&nbsp;︎ /&nbsp; H O M E P A G ETaiaroa Heads, New Zealand, by Muir &amp; Moodie, Circa 1890s.&nbsp;Remixed by Lovely, 2022. Te Papa Collection. (CC0 1.0) ︎Brushes Inside An Apple. Courtesy of Pexels. (CC0 1.0)&nbsp;︎ Knife and Fork (ca.1936) by Grace Halpin. Original from The National Gallery of Art. (CC0 1.0). Remixed by Lovely, 2023. © Roxanne Hawthorne.&nbsp;︎Rack Railway from a Wheel to Moscow and Back. The Record of a Record Cycle Ride by A.R Saville, 1895. The British Library. (CC0 1.0) ︎Take My Money gif. Courtesy of Giphy. (CC0 1.0)&nbsp;︎Hand Book Cover Illustration, by Lovely, 2024. © Roxanne Hawthorne. Greek Sculpture. Courtesy of Rawpixel. (CC0 1.0)&nbsp;︎ Speech Bubble gif. Coutesy of Giphy. (CC0 1.0) ︎ /&nbsp; A B O U THello Eyeball gif by Jassi1238. Courtesy of Tenor. (CC0 1.0) ︎AMA Whānau Photo, Photographer Unknown. Courtesy of Awkward Family Photos. (CC0 2.0) ︎ /&nbsp; A R T I S T S ’&nbsp; F E E SProtest signs from ‘Let This Be A Sign’ installed in Derby’s Silk Mill, March 2013.&nbsp;Courtesy of the photographer. © Simon Roberts. ︎Hand, artist &amp; date unknown. Courtesy of Andrea Stöckel. (CC0 1.0)&nbsp;︎ Young’s Night Thoughts, from ‘This King of Terrors Is the Prince of Peace’ by William Blake. Yale Center for British Art. (CC0 1.0) Remixed by Lovely, 2023. © Roxanne Hawthorne.&nbsp;︎ /&nbsp; B E S T&nbsp; P R A C T I C EShop Sign Spectacles (c.1935–1942) by John H. Tercuzzi. Original from The National Gallery of Art. (CC0 1.0) ︎ Copyright gif, by Lovely, 2022. © Roxanne Hawthorne. Dealers, by Anna Shvets, date unknown. Courtesy of Pexels (CC0 1.0)&nbsp;︎ Advertisement by Gordon H. Burt Ltd. Circa 1935, Te Papa. (CC0 1.0)&nbsp;︎ Closeup of a Column Head, from Gazette Des Beaux-Arts, 1862. Courtesy of Rawpixel. (CC0 1.0)&nbsp;︎ /&nbsp; H A N D&nbsp; B O O KHand Book Cover Illustration by Lovely, 2024 ©&nbsp;Roxanne Hawthorne /&nbsp; A R T I S T&nbsp; 2&nbsp; A R T I S THeart Talk Type by Van Mei, 2025. © Van Mei. Heart Talk Cover by Lovely, 2025. © Roxanne Hawthorne.&nbsp; /&nbsp; F U N D I N G Two hands raised in front of clouds by Leo Gestel (1881–1941). Courtesy of Rawpixel. (CC0 1.0) ︎&nbsp; Multi Image gif by Lovely, 2023. © Roxanne Hawthorne. &nbsp; &nbsp; Images Used In Order of Appearance: Cut Melons by Frances Hodgkins, Circa 1931. Te Papa. (CC0 1.0) ︎Makaro by Gordon Walters, 1969. © Te Papa. (CC BY-NC-ND 4.0) ︎ North Otago Landscape 2 by Colin McCahon, 1967. © Te Papa. (CC BY-NC-ND 4.0)&nbsp;︎ TN Schoon, by Spencer Digby Studios, 1943. Te Papa. (CC0 1.0) ︎ Portrait of a Group of Dancers, by Berry &amp; Co, Circa 1920. Te Papa. (CC0 1.0)&nbsp;︎ Music Sheet Background. Courtesy of Rawpixel. (CC0 1.0) ︎ Gretsch Guitar. Courtesy of Kopona. (CC0 1.0) ︎ Barry Brickell Pottery on Display at Waihi Arts Centre &amp; Museum, by Eric Lee-Johnson, 1960s. © Te Papa. (CC BY-NC-ND 4.0)&nbsp;︎ Len Castle, Slab Form Branch Vase, Circa 1968. Courtesy of John Furphy Ltd. ︎ Bronwynne Cornish, Hare, 2009. Courtesy of John Furphy Ltd. ︎ Yvonne Rust, Ewer, Stoneware, Date Unknown. Courtesy of John Furphy Ltd. ︎ Helen Mason, Table Bowl, Date Unknown. Image Courtesy of John Furphy Ltd.&nbsp;︎ Richard Parker, Vase, 1980s. Courtesy of John Furphy Ltd. ︎ Lapita Connections, by Barry Brickell, 1991. © Te Papa. (CC BY-NC-ND 4.0) ︎ Hiapo (Tapa Cloth), Circa 1860, Niue, Maker Unknown. Te Papa. (CC0 1.0)&nbsp;︎ Civavonovono, 1800s, Fiji, Maker Unknown. © Te Papa. (CC BY-NC-ND 4.0) ︎ Some Jewellery Tools by Mauro Cateb. Wikimedia Commons. (CC BY-SA 3.0) ︎ Hand Holding DSLR Camera. Courtesy of Vecteezy. (CC0 1.0) ︎ Clevedon Girl, 2005. Courtesy of the Photographer. © Jessica Bluck. ︎ Whatipu, 2018. Courtesy of the Photographer. © Roxanne Hawthorne.&nbsp;︎ Swan, 2013. Courtesy of the Photographer. © Greta Anderson. ︎ Augustus Hamilton, by James McDonald, Circa 1911. Te Papa. (CC0 1.0) ︎ ‘Solace in the Wind’ Statue Adorned With Raincoat Featuring Messages of Support for Hong Kong Protests, 2019, Wellington, by Anonymous. Te Papa. (CC0 1.0) ︎ Kubus 3D, Creator Unknown. (CC0 1.0) ︎ Len Lye Wind Wand, Photograph by Robin Van Mourik. (CC0 2.0) ︎ Film Roll by Denise Jans. Image Courtesy of Unsplash. (CC0 1.0) ︎ Film Editor Mark Robinson At Work, DNTV-2 Television Studio, Dunedin, New Zealand (1962 – c.1987). Archives NZ Reference: AAAA 21431 D569 19/d3. (CC BY 2.0) ︎ Sam Neill, ‘Landfall – A Film About Ourselves’, 1974. (CC BY-SA 2.0) ︎ Vintage Typewriter, Photographer Unknown. (CC0 1.0) ︎ Book Covers from Private Collection. From Left to Right:– Jerusalem Sonnets by James K. Baxter (University of Otago Press, 1970)– Plumb by Maurice Gee (Oxford University Press, 1979)– The Bone People by Keri Hulme (Spiral, 1984)– Once Were Warriors by Alan Duff (Tandem, 1991)– The Luminaries by Eleanor Catton (Victoria University Press, 2014) Whare Whakairo, Waitangi Treaty Grounds, 2009, Photographer Unknown. Creative Commons Attribution. (CC BY 2.0) ︎ Kohatu by Selwyn Muru, 1965, Oil on Hardboard. © Te Papa. (CC BY-NC-ND 4.0)&nbsp;︎ Raukawa Whare by Leslie Adkin, 1936. © Te Papa. (CC BY 1.0) ︎ Black Painting XIII, from ‘Malady’ a poem by Bill Manhire, by Ralph Hotere, 1970, Acrylic on Canvas. © Te Papa. (CC BY-NC-ND 4.0) ︎ Note: © Images / Gifs may not be used without prior permission. All other images may be used in accordance with the license assigned to them.&nbsp;︎ https://artsmakersaotearoa.nz/Header-mobile Thu, 10 Feb 2022 07:54:14 +0000 artsmakersaotearoa https://artsmakersaotearoa.nz/Header-mobile <img width="80" height="35" width_o="80" height_o="35" data-src="https://freight.cargo.site/t/original/i/404ad85e0896c76bab29c80f5d0dce10043c64f3922351390695f4426b66cd9c/AMA-Initials-Only-Logo--Web.png" data-mid="214817565" border="0" src="https://freight.cargo.site/w/80/i/404ad85e0896c76bab29c80f5d0dce10043c64f3922351390695f4426b66cd9c/AMA-Initials-Only-Logo--Web.png" />